Osho,
Our commune is not like any of the traditional ashrams or monasteries. Would you talk to
us more about the function of your commune?
It is necessary first to understand the traditional structure of an ashrama, and also
of a monastery. It will give you the background to understand the meaning of my commune.
The ashrama is an Eastern concept based on renouncing society, its comforts,
conveniences. An ashrama is a group of people living together in austerity, self-imposed
poverty, starvation in the name of fasting. Torturing the body in order to have control
over the physical by the spiritual. Doing all kinds of exercises so that they become able
to concentrate on the idea of God if they are Hindus, or on the idea of the ultimate
growth of human consciousness if they are Buddhists and Jainas.
But the goal is far away for all the three -- you can call it God, you can call it the
Buddha, you can call it the Jina. They are different words signifying nothing, but
pointing towards a further shore, so far away that you cannot even conceive it. It remains
just a vague idea, a cloudy idea in your mind.
For this cloudy idea you have to sacrifice everything that is real, tangible,
touchable, which you can see, which you can feel, which you can live. All that is alive
has to be sacrificed for something which is nothing but a utopia.
Do you know the exact literal meaning of the word utopia? Its literal meaning is that
which never happens -- the hoped for...but which never happens. It can keep you engaged
for centuries, and it has kept millions of people engaged for centuries. And they are
still engaged in the same effort: losing this for something for which they have no
evidence, no proof, not even an argument.
The word ashrama is very beautiful, but is used in a very wrong context. Ashrama means
a place to relax. Yes, in the very beginning, five thousand years ago, in the times of the
Vedas, an ashrama was actually a place of relaxation; it was not ascetic. You will
be surprised to know this, because for five thousand years asceticism has prevailed so
strongly that people have completely forgotten how it used to be in the beginning. It was
just the opposite of what it is today.
The rishis, the munis -- these two words you have to understand. Rishis
means poets of consciousness. It is only in the East that we have two words for poet: kavi
and rishi. Kavi literally means the poet, but for rishi, in English
there is no equivalent.
The rishi is the awakened poet. He still sings, but those songs are not composed
by him; they filter through him, they come from existence. Just as flowers blossom, poems
blossom. The poet is a composer: he plays with the words, with their rhythm, with their
sound, and he is capable of creating meaningful, rhythmic songs.
But it is good not to meet the poet. Take it as a basic policy never to meet the poet
because that will be a disappointment. His poetry is so beautiful but the poet so
extra-ordinary. I don't mean extraordinary as one word. I am using the word extra to
emphasize the word ordinary: extra ordinary.
I don't know who coined this word extraordinary, because it simply means the last, the
very last -- not simply ordinary, but extra ordinary. The people who must have used this
word first were thinking of "extraordinary" in the sense of being above the
ordinary; but extraordinary can mean both. One thing is certain, the poet is not ordinary:
he can be above the ordinary, he can be below the ordinary.
There are many words which have this same ambivalence. For example, psychologists use
the word abnormal. Now, abnormal can mean insane, crackpot, nuts and bolts -- anything.
But abnormal can also mean one who is above normal: a Buddha, a Jesus, a Moses, a
Zarathustra. Both are abnormal in the sense that both are not normal, but there are two
sides of not being normal. In the same way the word extraordinary has always been used for
those who are above the ordinary. I don't know, I have tried to find out why, why it has
not been used for those idiots who are below the ordinary. They are also extraordinary.
Why this unfairness?
The original ashrama, the very word ashrama, means time to relax, a place to relax. Shram
means labor, work. Ashram means you have done what was to be done, now it is time to be in
a state of non-doing. You have acted your whole life. When are you going to know the
strange and extraordinary world of inaction? -- so totally silent that nothing moves
there. It was a beautiful word and the people who invented it were really doing just that.
But it is a five thousand-year-old story -- which these five thousand years have been
destroying continuously.
You will be shocked to hear that the rishi -- which can be translated as the seer....
The ordinary poet is blind, he is groping in darkness; the rishi is one who has eyes. The
blind man can also sing songs of beautiful sunrises, sunsets, flowers, colors, rainbows --
yes, the blind man can sing....
In fact blind people are good singers for the simple reason that eighty percent of our
body's energy is used by our eyes. And when a man is blind, that eighty percent of his
energy starts being distributed to the ears, to the nose, to the mouth -- into the other
four senses which ordinarily have to share only twenty percent of the energy. With eyes
non-existent they enjoy one hundred percent of the energy amongst themselves.
Hence the blind man has a very subtle way of hearing.
You cannot hear what he hears. He remembers through hearing.
I was traveling in a train in the middle of the night and I entered the compartment
which was reserved for me. It was a small, two-couch compartment. One, the upper one, was
already occupied, the lower was reserved for me. As I sat on the lower bunk and gave the
money to the porter, and gave instructions to the servant about when I would like to have
tea in the morning, and when I would like to have my breakfast, I had no idea who was on
the upper berth. But the man said, "Is that not you there, Osho?"
I looked up, I could not recognize the man. I said, "Yes, but who are you?"
He said, "Have you forgotten me? I am Sharnananda." He was a very famous
Hindu sage; but he was blind. I had met him twelve years before. In those twelve years I
must have met millions of people; it was impossible to remember him. How could he manage
to remember me when he was blind, birthblind?
I said, "Sharnananda, you are doing a miracle! You can't see me, yet you recognize
me. And I can see you but I could not recognize you."
He said, "It is because of your eyes. I cannot see -- I remember through my ears.
Your sound, your way of speaking: those little things become part of my memory. And the
meeting with you was so memorable, and the way you talked.... I could even hear the same
way, the same sound, while you were talking to the servant, to the porter. I immediately
recognized you. Nobody else talks like you.
"When you said to the servant, 'Don't wake me up because my morning begins when I
wake, so let the tea wait. When I am awake, I will ring the bell, then you bring the tea.'
The moment you said, 'My morning begins when I wake,' I said this man cannot be anybody
else. I don't know anybody else in the whole world whose morning begins when he wakes up
-- the morning begins when it begins -- but you can say that, only you can say that!"
A seer is one who is not groping in darkness, and just imagining things. Yes, a blind
man's imagination becomes very powerful because he cannot see; his whole energy is
available inwards. Otherwise, the energy moves outside from the eyes, eyes are the doors
opening outwards. When the eyes are closed, the energy moves inwards.
That's why meditators close their eyes.
It is a simple strategy: close the eyes and you lock the doors; the energy cannot move
out, it moves in. So blind people become very imaginative. They can talk of color although
they have never seen it. They can talk of light although they have never seen it. But
still, howsoever beautiful their imagination, it is untrue, it is not real.
In India we call these people kavis, poets. But don't go to see them, because
the poet will be a very ordinary person. Just the other day…it has happened so many
times I feel it almost a rule to be followed. Just the other day I saw for the first time
a film of an Urdu singer, Gulam Ali. He is one of the topmost Urdu singers in the East, he
has his own way and style. There are many singers, but Gulam Ali stands far above any of
them. But I had always heard Gulam Ali on records, I had never seen him; it had never
happened.
We were both moving around the same country but by chance it never happened that we
were in the same city. He wanted to meet me. His disciples.... In India a great musician,
a great singer, is called ustad, maestro. He has disciples just as spiritual
masters have disciples, because Eastern music needs a long discipline. It is not like jazz
music that any idiot can start jumping and shouting and it becomes music; it is not the
music of the Beatles. It takes twenty or thirty years of training, eight hours or ten
hours a day. It is a whole life's work.
Gulam Ali has worked hard and still works hard. It is said that if you don't practice
Eastern music for three days, people will recognize something is missing. If you don't
practice for two days, only your disciples will recognize something is missing. And if you
don't practice for one day, only you are certain to feel that it was not the same thing.
Not even a single day has to be missed.
But just the other day somebody from Pakistan sent me a video film of Gulam Ali. And
what I was expecting, happened. His personality is so poor that to connect that beautiful
voice with this man who looks like a clerk in some post office, or a ticket collector in
some railway company, or a conductor in some bus, that type of man....
I had to keep my eyes closed because his face, his eyes, his hands, his gestures --
everything was disturbing. I thought that I should send him a suggestion, "You should
sing behind a curtain. You are not worth presenting, you destroy your music. The music is
almost divine, then you see, standing behind, a donkey -- you cannot connect them."
The same happened a few days before. I have never seen Mehdi Hasan -- another great
singer, far more modern than Gulam Ali. Gulam Ali is very orthodox, his training is
orthodox. But Mehdi Hasan has a very innovative genius. He is trained in orthodox music
but he has not kept himself confined to it. He has improvised new ways, new styles, and he
is really a creative man. Gulam Ali is not a creative man; he recites those songs exactly
as they have been recited for thousands of years. Listening to him you are listening to
thousands of years, the whole tradition behind him.
These singers all have what is called gharanas -- gharana means family.
They don't belong to the family of their father and mother, they belong to the family of
the master from whom they have learned. That is their gharana. They are known by the name
of their master, their master is known by his master. Their gharanas are thousands
of years old, and each generation teaches to the next generation exactly the same tone,
the same wavelength.
But Mehdi Hasan is ultra-modern, and he has a creative genius which is far more
significant. I have loved him because he has brought a new light, new ways of singing the
same old songs. He is so creative that the whole song seems almost new, reborn, fresh,
like a just-opened flower with the dewdrops still on it.
But what a misery to see him. He is far worse than Gulam Ali! Gulam Ali at least seems
to be a conductor on a bus, but Mehdi Hasan is not even worthy to be conductor. While
Gulam Ali does not fit with what he is singing, Mehdi Hasan is exactly contradicting what
he is singing. Strange that the two persons I have seen on the screen, I have not met.
This has been my general practice my whole life in India. I have read poets, heard poets
on the radio, but I have not met them.
Because my early experiences of meeting poets were just shipwrecked.
Maitreyaji is sitting there -- he knows one great Indian poet, Ramdharisingh Dinkar.
They belong to the same place, Patna, and they were both friends. He has written some
high-flying songs. He has contributed much to Indian poetry. He was known as the great
poet, mahakavi; not just kavi, a poet, but the great poet. He was the only
man known as the great poet.
He used to come to see me, unfortunately. He loved me, I loved him, but I could not
like him. Love is spiritual, you can love anybody, but liking is far more difficult.
Whenever he came he would talk of such stupid things that I told him, "Dinkar, one
expects something poetic from you."
He said, "But I am not a poet twenty-four hours a day."
I said, "That's right! But come to me when you are! -- otherwise don't come,
because my acquaintance is with the poet Dinkar, not with you." Whenever he came, he
would talk about politics -- he was a nominated member of parliament -- or he would talk
about his sickness continually; he was making me sick! I told him, "Stop talking
about your sicknesses, because people come to me to ask something of value, and you come
to describe your sicknesses."
But if I prohibited him from talking politics, he would talk of sicknesses. If I
prohibited him from talking of sicknesses, then he would talk about his sons: "They
are destroying my life. Nobody listens to me. I am going to send them to you."
I told him, "You are too much. And you are spoiling my joy for when your book
comes out: I cannot read it without remembering you. In between the lines you are standing
there talking about your diabetes, your politics...."
He would talk about diabetes, and he would ask for sweets! "These," he would
say, "I cannot leave." He died because he continued to eat things that the
doctors were prohibiting. And he knew it; he would tell me everything that the doctors had
prohibited and ask me, "Osho, can you tell me some way that I can manage to eat all
these things and still the diabetes...?" Maitreyaji knew him perfectly well.
In Jabalpur there was one famous poetess, Shubhadra Kumari Chauhan. I had read her
poetry from my very childhood; her songs had become so popular because of the freedom
struggle -- she was continuously fighting for freedom and revolution -- that even small
children were reciting them. Before I was able to read, even then I knew a few of her
songs. When I went to the university I discovered that she had also moved to Jabalpur.
That was not her original place; her original place happened to be near my village. That I
discovered later on, that she was from just twenty miles away from my village and that she
had moved to Jabalpur just two years before I moved there.
But seeing that woman, I said, "My God! Such beautiful poetry, and such an utterly
homeless -- no, I mean homely.... I got so distracted by her that I forgot even the word
homely! Because she was worse than that, and I don't know any other word that is worse
than that. "Ugly" does not look right to use for anybody; it seems to be
condemning, and I only want to describe, not to condemn, hence homely. Homely means, you
need not pay any attention; let her pass, let her go.
Then there was another poet, of all-India fame, Bhavani Prasad
Tiwari.
He was in immense love with me. I was very young when I started delivering public
discourses; I must have been twenty when I delivered my first public discourse, in 1950.
He was the president.
He could not believe it, and he was so overwhelmed that rather than delivering his
presidential address he said, "Now I don't want to disturb what this boy has said. I
would like you to go home with what he has said, meditating over it. And I don't want to
give my presidential address -- in fact, he should have presided, and I should have
spoken." And he closed the meeting.
Everybody was in a shock because he was an old man and famous. He took me in his car
and asked me where he could drop me off. That day I became acquainted with him. I said,
"It is a shock to me. You are certainly a loving person and also an understanding
person. I have read your poems and I have always loved them. They are simple but have the
quality of raw diamonds, unpolished. One needs the eye of a jeweler to see the beauty of
an uncut, unpolished, raw diamond just coming out from the mine -- just born.
"I can also say I have always felt, reading your poetry, like when the rainy
season first begins in India, and the clouds start showering, and the earth has a sweet
smell of fresh, thirsty earth; and the smell of that earth getting wet gives you a feeling
of thirst being satisfied.
"That's how I have always felt reading your poetry. But seeing you I am
disillusioned" -- because the man had on both sides, inside his mouth, two pans,
betel leaves, and the red, blood-like juice of the betel leaves was dribbling from both
sides of his mouth onto his clothes.
That was a chain thing the whole day. All that he was doing was making new pans. He
used to carry a small bag with everything in it. And whenever I saw him he was always --
this is the way: tobacco in his hand, rubbing the tobacco, preparing it, chewing the pan,
and the red juice was all around.
I said, "You have destroyed my whole idea of a poet." Since then I have
avoided poets because I came to know that they are blind people; once in a while they have
a flight of imagination. But five thousand years ago, in the East, they must have
understood that we have to make a distinction between the poet who is blind, and the poet
who has eyes.
A rishi is one who speaks because he sees.
His poetry also has a different name; it is called richa because it comes from a
rishi. Richa means poetry coming from the awakened consciousness of a being.
These people were not ascetics. They had wives, they had children, they had beautiful
ashramas -- so beautiful that even kings used to be there for their holidays. Kings used
to send their children to live with the family of a rishi, in an ashrama, because there
was nothing more beautiful than an ashrama.
Ashramas were deep in the forest, in the mountains, near the great rivers of India, and
with an awakened being. He had a wife, he had children. He was just as simple and ordinary
as you are -- he was not on any power trip. And he was not worried about God, and
paradise; he was enjoying life here.
Even kings were jealous, and they used to come for advice because these people were not
just spiritual guides, they had the eyesight they could use for anything. They were not
averse to riches. All the ashramas were, in the beginning, tremendously rich, because the
kings continued to pour in as much money as possible. And it was not only one king coming
to one rishi, because rishis and their ashramas were not part of any kingdom.
That much respect the East knew: that you could not claim the ashrama of a rishi
as part of your kingdom. So he was independent. Other kings were also coming to him. He
was not possessed by any king who could say, "You can only advise me. I have given
you the land and I have given you so much money, and so much luxury and so much comfort
and protection, so you are only to be my adviser." No, such a thing was
inconceivable.
If the rishi has accepted all that you have offered, he has obliged you. He could have
refused. You were to be thankful to him that he did not refuse you. You were to be obliged
to him that he gave you the honor to serve him. He was nobody's possession. His territory
was an independent territory. And in his territory anybody could take refuge, even a
criminal. And then he was beyond the powers of the rulers from whom the criminal had
escaped. You could not catch hold of him or bring the police and the army into the rishi's
campus. That campus was sacred.
It was literally true that there was no comparison between the ancient Eastern ashrama
and anything else, even a palace of a king. On each special occasion, the king would go to
receive the blessings. He would touch the feet of the rishi, because he knew he himself
was blind, and that it was good to be blessed by someone who had eyes, and to be guided.
And many times it happened, many wars were simply avoided because both kings went to the
same rishi to ask, "Our armies are standing face to face -- what to do?"
The rishi would say, "You ask me what to do? Just take your armies back to your
homes! There is not going to be any fight. While I am still alive your armies are not
going to face each other again." And that was so. The war was delayed till his death;
before, that war could not happen. There was no question of denying him. He had no
political power, no army, but they both knew that he had eyes, and if he saw that this was
going to be blissful for both, then let it be so. "We are blind. We will step
back."
But the birth of Buddhism and Jainism, the two
other religions in India, created trouble.
They transformed the whole character of the ashrama. Buddhists and Jainas don't have
ashramas -- that's the first thing to be noted. To destroy the ashrama -- because the
ashrama was the stronghold of brahminism, Hinduism -- and yet without somebody being a
pope, chosen, elected....
No, you cannot elect a Buddha! How can you even think of electing a Buddha? What
grounds, what criteria will you use? Just think of blind people electing someone who has
eyes. Now, how can they determine that he has eyes? They don't have eyes so they can't
see. Two persons are standing as candidates, saying "We have eyes, give us
votes." Do you see the absurdity? Now, blind people will say, "How can we
decide? We don't have any eyes so we don't see whether you are both blind, both have eyes,
or one has eyes and one is blind. We cannot determine in any way."
A Buddha, an awakened human being, has to declare himself. There is no question of
anybody selecting, nominating. Who can select? Who can nominate? Who can elect?
There is a poem sung by this man I referred to, Mehdi Hasan, in which a sentence comes,
"I am a man with eyes selling glasses in the city of the blind." When I heard
the line, "I am a man with eyes selling glasses in the city of the blind," I
said, "You cannot have eyes; one thing is certain, you don't have eyes. Otherwise a
man with eyes, selling eyeglasses in the city of the blind simply proves that he is far
more blind than the people to whom he is selling the glasses! Blind people cannot tell who
has eyes and who has not."
So these rishis were not popes. The pope is an elected person; two hundred cardinals
elect him. All those two hundred cardinals are secretly campaigning for themselves to be
elected. It is a secret thing. For twenty-four hours the doors of a particular place in
the Vatican are closed. For twenty-four hours those two hundred people are inside, just so
that the world does not know how the selection happens, how the person is elected.
And they are all campaigning for themselves, each campaigning for himself, or for
somebody who will help them. And it takes twenty-four hours to find one person. That too
is not a unanimous choice. Sometimes there are two candidates, then a vote has to be
taken; sometimes there are three candidates and none are ready to withdraw. By voting, two
hundred fallible cardinals -- by voting -- choose one infallible pope....
This world is really strange. That was not the case with the rishis.
But Jainism and Buddhism transformed the whole character of the
Eastern way of life.
First, to destroy the ashramas they decided that they wouldn't have any ashramas. So
Jaina monks, Buddhist monks, are wandering monks; they don't have any ashramas -- because
if you have an ashrama there is a possibility that you will start collecting conveniences,
comforts, luxuries. It is very natural.
People will love you, respect you and they will go on giving you things. And you will
keep things for certain seasons: the rains will be coming, and you will need umbrellas so
you keep the umbrellas even in winter when they are not needed. So you will start
possessing things. In the rains it will be difficult to go out, so you will collect food,
foodstuff. In winter you will need clothes, woolen clothes, so you collect woolen clothes.
You cannot avoid possessions -- and that was one thing that Jainism and Buddhism both
were determined about: that the monk should not possess anything and the Jaina monk,
absolutely nothing. He was naked, without even a begging bowl, which had always been
accepted. Nobody had even questioned whether a begging bowl was a possession.
But Jainism did not allow even the begging bowl; you had just to eat from your hands.
If all the animals can do without begging bowls -- you are men, far more intelligent --
you can do it. So they drink from the hands, they eat from the hands; that is their
begging bowl. They were not allowed to have ashramas because ashramas would become
properties, possessions. They had to continually move. A Jaina monk cannot stay more than
three days in a place.
Certainly there is some idea behind it, because I have watched: if you stay in a place,
it takes some time.... For example, the first night you may not be able to sleep at all --
a new place, a new house.... Nothing is uncomfortable, it's just the newness. Perhaps you
are accustomed to sleeping in a round bed, and this is a square bed, and that is enough!
You are accustomed to sleeping in a square room, and this is a round room; you almost feel
as if you have fallen in a well or something. Even in your sleep you will wake up many
times.
The first night it is very difficult, the second night it is easier, and by the third
night you are comfortable. This is my experience, because I have been traveling for thirty
years, staying in strange places, strange houses. You will not believe it -- from the most
rotten house you can imagine to the best palace in the world I have been a guest.
It was really a problem because I was continually moving about, not staying for even
three days. I am not a Jaina monk; not even three days were available to me. In the
morning I was in Calcutta, in the evening I was in Bombay; by the night I had moved
towards Delhi. Mostly I was in trains, planes, cars, but rarely in houses. In fact I have
to confess to you, that I became so accustomed to sleeping in air-conditioned trains that
in houses I felt uncomfortable. I felt comfortable only on the train, with all the noise,
the movement, the hustle and bustle of each station, and the passengers coming in and
getting out. All that became part of my comfort.
When I used to sleep in a room, I would wake up a few times, and no station? -- because
Indian stations are very noisy: all kinds of things are being sold, even in the middle of
the night. The whole station is agog, alive, and full of people, because except for the
air-conditioned class, all the classes are so cramped. The third class, which is the class
for everybody, is always overcrowded. You can see, it is written on the compartment that
it is reserved only for thirty people -- and you will find sixty, ninety. How they
manage....
Once or twice just to have the experience I have traveled third class. And it really is
a great experience to travel in the third class in India. A compartment made for thirty
people, and ninety or a hundred people are in it.... Not even a single inch anywhere can
you move. You cannot go to the bathroom -- in fact in the bathroom also people are stuck.
In the first place there is no way to reach there. Even if you do reach, somehow, treading
over people, there is no space in the bathroom; it is already full. People are traveling
even on the roof of the train. They are hanging out of the doors, the windows.
Once I traveled third class from Gwalior to Delhi, just to enjoy it.
Because I had slept, and there was now no need -- and it was night, a full-moon night
-- I said to myself, "Enjoy yourself, go third class."
I had an air-conditioned-class ticket. When the ticket collector looked at my
air-conditioned-class ticket and then looked at me, he thought I was crazy. I said,
"You are right" He handed the ticket back to me."
He said, "This is strange. What are you doing here? Your seat is reserved and it
is empty."
I said, "Let it be empty. If I get fed up with this experience I will come
along."
He said, "What experience?"
I said, "You don't know what is happening here. If you want, you can stay with me
just for one station."
He stayed and he said, "Really, it is an experience."
What was happening was at the station, the lights of the compartment would come on, and
as we left the station behind the lights would go out. And ninety people in that small
space... and who is pulling whose leg? It was such a joy! I enjoyed it like nothing else
in my life.
A Hindu monk was sitting by my side. I was hitting his head, and he would tell me,
"Osho, somebody is hitting me."
I said, "In the dark it is very difficult. Remain patient, and if you want to hit,
hit anybody! There is no question of who is hitting who."
A woman who was sitting in an upper berth... somebody pulled her leg and she fell down.
And she said, "This is strange -- someone is doing this to a woman. Who is this nasty
fellow?"
In the darkness nobody could be identified as nasty, and as the next station appeared,
everybody was sitting perfectly correctly. And in the station the lights would come on. If
it had been the other way round things would have been simpler. If the compartment lights
had gone out at the station, there would have been no problem because the station lights
were there.
The train was going really crazy, and people were shouting in the darkness,
"Somebody is pulling on my leg." And, "Who is this fellow?" And,
"I will try to find out, but it will be difficult." "Please don't pull my
leg!" -- but no answer came. In the third class it is certainly the real India you
meet. In the air-conditioned, it is not part of India.
In saying three days the Indian Jaina monks decided very psychologically, because this
is my experience too -- that after the third day you feel at ease. Not to allow you to
feel at ease they decided on three days. There must have been somebody among them who had
experienced this. It is exactly so because I have told a few of my friends to try it, and
they all said, "It is true: after the third day you start feeling relaxed, at home.
The new place is no longer new. It takes that much time to be acquainted with it, to have
a certain rapport."
Yes, a rapport is needed -- even with the walls, the furniture, the people, the food...
a certain kind of acquaintance, and it takes a little time. What they decided was
perfectly right -- they measured it perfectly correctly -- that the Jaina monk is not to
stay more than three days, so no attachment grows. Because once you start liking a place,
that is the beginning of attachment, desire. Then you would like to stay a little longer,
then....
I am reminded of a story. A great Master was
dying.
He called his chief disciple to his side and whispered in his ear, "Remember one
thing, never, never allow a cat in the house" -- and he died.
"What kind of message...? And for this you called me: 'Never allow a cat in the
house'?" The chief disciple enquired from a few old, elderly people, because perhaps
there was some meaning in it. "Perhaps it is a code word, otherwise why should he say
that? And he died without giving any explanation. I was just going to ask, 'Why are you
against cats? Your whole life... and this is the ultimate conclusion of all your
discipline, practices, scriptures, scholarship: don't allow a cat in the house'".
One old man said, "I know what the matter is. This is the message given to him by
his master too, because his master got into trouble because of a cat." The old master
had lived outside the village. He had only two... in English it is difficult to translate
because nothing like that exists. You have underwear, in India they have langots --
they are just strips of cloth. It needs a little practice to put on. It is just a long
strip of cloth which you simply wind around yourself and that functions as underwear, or
the onlywear. For a monk that is the onlywear.
He had two onlywears -- that is my translation for langots -- but the trouble
was there were a few rats, and they used to destroy his onlywear. He asked somebody from
the village, "What to do with these rats? They are very cunning."
The man said, "It is very simple. What we do in the village is just keep a cat.
You keep a cat I will bring you a cat. She will finish off those rats and your onlywear
will be saved."
The old master said, "This is a simple solution." The cat was brought. She
really did her job, she finished off the rats, but the problem was the cat was hungry and
she needed milk. She was always sitting in front of the monk, hungry. Cats, when they are
hungry, look really poor. She had done her job, and without saying it she was saying,
"I have done all your business, all the rats are finished, but I am hungry now."
So the old master asked again, "Now what to do? The cat sits in front of me,
looking hungrily at me: 'Provide food, otherwise I am going and then rats will come back.'
She does not say all that but I can see in her eyes that she is threatening me,
challenging me. I need some milk."
The man said, "Every day you will have to come for the milk, so I will give you my
cow. I have many cows, you can take one."
He took the cow but his problems went on increasing: now the cow needed grass. He again
went to the town, and the townspeople said, "You are a strange fellow -- problem
after problem, problem after problem. Why don't you start growing something around your
hut? -- there is so much land lying fallow. We will give you seeds; take the seeds and
start growing something. It will help you also; you can eat some of it and the cow can eat
some."
So he, poor man, started sowing some seeds.
But this was great trouble: now the crops had to be cut. And he was a monk; he was not
supposed to do all these things. But now one thing was leading to another. He went to the
village and he said, "This is difficult. Now those crops have to be cut; I don't have
any instruments, and I will need helpers."
The people said, "Listen, we are tired of you. You are worthless; you can't find
any solution for anything. Do we have to solve everything? It is simple: One woman has
become a widow and she is perfectly capable of taking care of you, your cow, your crops,
your kitchen, everything -- cat, rats.... She is a perfectly experienced woman."
"But," he said, "I am a monk."
They said, "Forget all about that monkhood. What kind of monk are you! You have a
cat, you have a cow, you have a field, a crop -- and you think you are a monk! Forget
about it. And anyway this marriage is just a bogus marriage; you need not have any kind of
relationship with the woman. She is poor and in difficulty, you are in difficulty; both of
you together will be good."
The man said, "That's right. If it is just a legal thing, there's no harm, because
my master never said anything against that. He said, 'Don't get married but I am not
getting married; it is just for show, for the village, so nobody raises any objection that
I am living with a woman. I can say that she is my wife, but I don't have to be her
husband really, nor does she have to be my wife really."
He talked to the woman. The woman said, "I am not interested in a husband -- one
was enough -- but I am in trouble, you are in trouble; and this is good, we can help each
other."
So they got married. Now things went on growing.... Sometimes he was sick and the woman
would massage his feet. Slowly, slowly, he started liking the woman. A man is, after all,
a man; a woman is, after all, a woman. The woman started liking the man. They were both
feeling lonely. In the cold winter nights they were both waiting for somebody to say,
"It is too cold -- why can't we get close?"
Finally the woman said, "It is too cold here."
The monk said, "It is cold here too."
The woman said, "It seems you don't have any guts."
He said, "That's right. You come here -- I don't have any guts. I am a poor monk,
and you are an experienced woman: you come here. Together it will be warmer."
Of course it was warmer! That's where his whole monkhood went down the drain. And when
he was dying he told to his disciples, "Don't let any cat stay with you."
And the old man told the chief disciple, "Since then, it is traditional on your
path that each master says to the disciple, 'Beware of the cat.' It is very difficult to
be aware of the cat -- the cat comes in somehow or other. Life is so strange.
But Jainas and Buddhists have tried to avoid the cats, all kinds of
cats.
"Don't stay longer than three days. Don't stay in any family, because the warmth,
the coziness of the family, may distract you. Always stay in the temple which is always
cold, never warm." Jaina monks are not allowed to burn wood, to have a bonfire in the
night as Hindu monks are allowed, because any experience of warmth is dangerous. And it is
violent too because you are killing trees, cutting trees, burning wood; and in burning
wood you may be burning some insects, some flies -- anything is possible. So they can't
have a bonfire, they can't even have a lamp in the temple.
I used to go to visit Jaina monks sometimes because they invited me, and I would say,
"In the day I don't have any time, I can come only at night." And in the night I
became aware that they don't have any lamp or any candle -- no light. I had to sit with
them and to talk with them in darkness. It felt so strange. I told them, "But
somebody else can put the switch on; I can put it on, you will not have done
anything."
First they went on refusing, telling me, "No, that is not right. Light will be
there and it is prohibited."
But I was continually hammering on the idea: "If you don't do it then there is no
harm." And one Jaina monk, the head of a big sect, finally agreed for the simple
reason that during the day I had spoken and he had spoken, but he could not use the
microphone -- electricity! Now there was no electricity in Mahavira's time. Of course he
had not prohibited it, but he had not said that it should be used either.
But he was clever enough. He had said, "Things which are not mentioned are not
meant to be used. Only things which are mentioned are to be used." So although he had
no idea, he was clever enough to say, "Many things will be coming later on, which I
cannot prohibit because I don't know about them."
I told that to the monk but he said, "Mahavira has prohibited it."
When I spoke there were at least twenty thousand people there, and everybody could hear
me. They applauded and they were laughing and they enjoyed it. But when he spoke, who
could hear? -- not more than two or three rows in front. Twenty thousand people were just
yawning. I said, "Just look: this is what your Mahavira has done to you. Now allow
me." I just took the microphone, put it in front of him and said, "You simply
speak. It is none of your business if someone puts something somewhere -- who are you to
prevent me? Just start!"
He got the idea -- he thought the idea was good -- and the fool started speaking. I
condemned him later on and said, "You fell into the trap. You saw that I was putting
the microphone in front of you, you knew what it was and you knew that everybody was able
to hear you. You cannot befool anymore. Do you think that you are befooling Mahavira who
is omniscient, omnipotent, omnipresent? He was present there watching you doing this. You
have fallen."
But Jainas destroyed ashramas completely and they created the wandering monks. And
because of the wandering monks.... It is a strange thing about the human mind that it is
very much impressed by somebody who goes through austerities. It is a sadistic,
masochistic psychology. Why should you be so respectful to a person who is torturing
himself? But strangely, everywhere around the world, the martyr is honored. If he is
starving, fasting for a great cause, you respect him. You will not respect a man who is
feasting for a great cause.
You are not concerned with the cause, remember, otherwise you should respect the
feasting also, because he is feasting for a great cause. You are not concerned with the
cause; the cause is only an explanation, a rationalization. You are interested in the
fasting: the man is capable of having control over his body.
Mahatma Gandhi was the uncrowned king of India.
For the simple reason that he was able to torture himself more than anybody else could.
For any small reason he would go on a fast "unto death." Every fast was
"unto death," but within three, four days, it would be broken -- there were
methods to break it -- and soon there would be a breakfast; everything was arranged.
But people can be deceived very easily.... He goes on a fast, and the whole country
prays to God that he should not die. All the great leaders rush towards his ashram and
pray to him to stop but he won't listen unless his conditions are accepted -- any
conditions, undemocratic, dictatorial, idiotic -- any conditions.
For example he fasted against Doctor Ambedkar who was the head of the untouchables.
Ambedkar wanted the untouchables to have their own constituencies and their own
candidates, otherwise they would never be represented in any parliament anywhere. Who
would give votes to a shoemaker? In India a shoemaker is untouchable -- who is going to
give him the vote?
Ambedkar was absolutely right. One fourth of the country is untouchable. They are not
allowed in schools because no other student is prepared to sit with them, no teacher is
ready to teach them. The government says the schools are open, but in reality no student
is willing.... If one untouchable enters, all thirty students leave the class, the teacher
leaves the class. Then how are these poor people -- one fourth of the country -- going to
be represented? They should be given separate constituencies where only they can stand and
only they can vote.
Ambedkar was perfectly logical and perfectly human. But Gandhi went on a fast, saying,
"He is trying to create a division within the Hindu society." The division has
existed for ten thousand years. That poor Ambedkar was not creating the division, he was
simply saying that one fourth of the people of the country had been tortured for thousands
of years. Now at least give them a chance to advance themselves. At least let them voice
their problems in the parliament, in the assemblies. But Gandhi said, "I will not
allow it while I am alive. They are part of Hindu society, hence they cannot have a
separate voting system" -- and he went on fasting.
For twenty-one days Ambedkar remained reluctant, but every day... the pressure of the
whole country. And he started feeling that if this old man dies then there is going to be
great bloodshed. It was clear -- he would be killed immediately, and millions of the
untouchables would be killed everywhere, all over the country: "It is because of you
that Gandhi died." When the whole arithmetic of how it would work out was explained
to him -- "You figure it out soon, because there is not much time, he cannot survive
more than three days" -- Ambedkar hesitated.
He was perfectly right; Gandhi was perfectly wrong.
But what to do? Should he take the risk? He was not worried about his life -- if he was
killed it was okay -- but he was worried about those millions of poor people who didn't
know anything about what was going on. Their houses would be burned, their women would be
raped, their children would be butchered. And it would be something that had never
happened before.
Finally he had to accept the conditions. He went with the breakfast in his hand to
Mahatma Gandhi, "I accept your conditions. We will not ask for a separate vote or
separate candidates. Please accept this orange juice." And Gandhi accepted the orange
juice.
But this orange juice, this one glass of orange juice, contains millions of people's
blood.
I have met Doctor Ambedkar. He was one of the most intelligent men I have ever met. But
I said, "You proved weak."
He said, "You don't understand: the situation was such that I knew I was right and
he was wrong, but what to do with that stubborn old man? He was going to die, and if he
died then I would have been responsible for his death, and the untouchables would have
suffered."
I said, "That is not the point. Even an idiot could have suggested a simple thing
to you. You should have gone on a fast unto death. And you are so overweight." He was
a fat man, four or five times heavier than Gandhi. "If you had asked me.... A simple
solution: just put another cot by the side of Mahatma Gandhi, lie down, and fast unto
death. Then let them see! I promise you that Gandhi would have accepted all your
conditions within three days."
Ambedkar said, "But this idea never occurred to me."
I said, "You are a fool if this idea never occurred to you! That was the idea with
which that man was controlling the whole country -- and it never occurred to you. The only
difficulty would have been to go on a fast -- particularly for a man like you: fat, eating
four times a day. Naturally you would not have been able to manage it. Gandhi has
practiced his whole life, he is an experienced faster; and you may not have ever missed a
single breakfast."
He said, "That is true."
I said, "Otherwise if it had been my problem and he was being so illogical, I
would have just lain down, even if I was going to die, and let him be responsible. He
would not have allowed that, because my death would have taken away all his mahatmahood,
all his aura, all his leadership of the people. He would not have allowed me to die; he
would have accepted my conditions.
"But unfortunately I am not an untouchable, and anyway why should I be bothered
with you two idiots? To me both of you are idiots. You have one fourth of the country in
your hands and you can't do anything; that man has nothing in his hands -- but just by
fasting.... He has learned a womanly trick. Yes, I call his whole philosophy a feminine
psychology."
That's what women do every day. Gandhi must have learned it from his wife. In India
women do it every day. The wife will fast, she won't eat, she will lie down. And then the
husband starts shaking. He may be right, that is not the point.
Now there is no point of right or wrong; now the point is how to persuade her to eat?
Because she is not eating, the children are not eating -- and who is going to do the
cooking in the first place? Is he also going to fast? And the children are weeping, and
they want food, and the wife is on a fast -- so you agree. She needs a new sari, you bring
it. First you bring the sari, then she goes into the kitchen. This is an old Indian
strategy of all women in India. Gandhi must have learned it from his wife, and he used it
really very cleverly.
But there is some strange side of the human mind which is impressed by anybody who is
capable of torturing himself.
For some strange reason.... I know what the reason is. The reason is your own fear --
you cannot do it. You go to the circus to see a man jumping from sixty feet high, pouring
spirit on himself, setting fire to the spirit. Burning, he drops from sixty feet; he falls
into a small pool of water, and you see it with your breathing stopped. At that moment
nobody breathes.
I have watched it -- people were watching a poor circus fellow; I was watching the
people -- was anybody blinking, anybody breathing? No, nobody blinks an eye, they
completely forget. Even an unconscious process that goes on automatically -- you need not
blink, your eye blinks; you need not breathe, your chest breathes. But even the automatic
processes of blinking and breathing simply stop, you are in awe.
And there is nothing in it. Those sixty feet are calculated. That man has been
practicing continually: it is calculated that within the sixty foot fall, he is not going
to be burned. And it is not kerosene, it is not petrol, it is pure spirit. Falling in the
water, within seconds the fire is gone, and the man comes up. And he is a hero because you
cannot do it. Just a little practice is needed and a calculation of how long it will take
for spirit to burn you: the time limit has to be less than that. And you have to be able
to jump.
I used to love jumping into the river from the hills, from the
railway bridge....
Because the railway bridge over my river was the highest place from where to jump. But
I slowly worked up from small hills to bigger and bigger hills, until finally I was
jumping from the bridge. The bridge was continuously guarded by the army because it was
British Empire days and some revolutionary may have blown up the bridge. So they would
catch me, and I would say, "I am not going to blow up the bridge. Just see -- I don't
have anything. You have nothing to be worried about. I want this bridge to be here, and I
am happy that you are guarding it because I need it every day."
Once they said, "For what do you need it?"
I said, "You just see" -- and I would jump! And they would be standing there
in awe. Once they knew that this boy simply came to jump, they didn't bother. I told the
revolutionaries of my town, "If any time you need... I am the best man because the
guards don't even look at me now. They say, 'That boy is just crazy. One day he is going
to kill himself. But it seems that he is growing more and more accustomed to it. It will
be difficult for him to die; this bridge is very small. He needs a bridge at least four
times higher -- perhaps that may do it.'"
I told the revolutionaries I knew -- they used to visit my house; my uncles were part
of their conspiracy -- I said, "Any time you need to blow up the bridge, I am the
best man. Nobody will ever suspect me, nobody will ever prevent me. I can take your bombs
there, leave them wherever you want and simply jump into the river and swim downstream.
Then you can do whatsoever you want to do."
They said, "You are not reliable. You may go and give the bombs to the guards; you
will show them where we are hiding, and you will jump certainly and swim down the
river." They never gave me the bombs. I again and again requested them to. They said,
"We don't believe you. We know that you are the best person to reach that bridge
because nobody else can reach it; it is continuously guarded."
One guard was continuously patrolling up and down, and at both ends there were guard
rooms. It was an important bridge: all the main trains crossed over it. If you blew it up,
you would cut one half of the country from the other. But they never relied on me.
I said, "You can rely on me, even those guards rely on me."
They said, "That's the fear. They rely on you, we rely on you -- and what you will
do only you know."
For any austerity you need only a little practice.
Fasting is very simple -- just the first five days are difficult. I have fasted. The
first five days are the most difficult, the fifth is the worst; you are almost ready to
break the fast. But if you pass the fifth, you have passed the most dangerous, the most
vulnerable period. From the sixth day your body starts functioning in a new way. It starts
eating itself. From the sixth day onwards things become simple. On the fifteenth day, you
are absolutely unconcerned with food; you don't have any hunger. The body is absorbing its
own fat, so hunger does not arise.
A man who is perfectly healthy can fast for ninety days without dying. Of course he
will become just a skeleton, but for ninety days he can stay alive because a perfectly
healthy body goes on accumulating fat for any emergency. This is an emergency situation so
the body has an emergency system. If food is not coming from the outside, then the body
starts eating from the inside. That's why you go on losing weight every day.
In the beginning you will lose two pounds per day. Then the body becomes aware that
perhaps the emergency is going to last longer: then you lose one and a half pounds a day.
Strange, the body has its own wisdom. Then you will lose one pound a day, then half a
pound a day, because the body will start trying to save as much as possible, and to live
on as little as possible; to keep you alive as long as it is in the body's hands.
So it is not something like a miracle, but people get impressed because deep down they
feel, "We cannot do this." If somebody is enjoying a feast, you don't have that
feeling, because you can also enjoy the feast. It is just that you are not invited, that's
why you are feeling angry -- even against that man who is enjoying himself -- that he is
just a glutton; that he believes only in the philosophy of eat, drink, and be merry; that
he is not a spiritual man. This is jealousy, anger because you have not been invited. You
are also capable of enjoying the feast, but a fast? -- you have never tried it.
And in the beginning a fast is not a joy. Five days seem like five months. It seems
that the clock no longer moves, and the hunger goes on growing. It hurts in the stomach;
the intestines feel as if they are shrinking. Your whole body is in turmoil because it is
not getting its daily ration. All the parts of the body are in a strange situation; they
cannot figure out what has happened, why the ration has been stopped. You have not
informed them; you cannot because you don't know their language, they don't know your
language.
There is chaos in the body -- but only for five days. After that the body automatically
moves itself onto the emergency system; then there is no problem. And all these mahatmas
have learned only that: the strategy of five days. Once you have learned it, then it is
not very difficult to last five days.
Jaina and Buddhist monks both impressed the whole of the East so much that the Hindu
ashrama, which was really a beautiful place, became condemned. Those seers, those sages,
became condemned by people: "These are as materialistic as we are. The real mahatmas
and sages are the Jainas, the Buddhists. These people are nothing compared to them."
Naturally Hinduism had to change its whole structure.
It is a competitive world: to remain in existence, Hinduism changed the whole style of
the ashrama. The ashrama became ascetic but they still retained the old name, they forgot
to change the name. It is no longer an ashram because there is no relaxation, no rest, no
joy, no blissfulness.
Go to an ashrama today and you will find self-torturing people, psychologically sick,
masochistic, suicidal -- but egoistic, because all this torture is bringing to them one
thing: great respect from the people. The whole country pays tremendous respect for what
they are doing.
But the beauty of the real ashrama has disappeared.
The monastery is the Western equivalent of the modern Hindu ashrama, because at the
time when the real Hindu ashramas were in existence, the West was absolutely barbarous: it
had no religion, no culture, no civilization. Your greatest man was born only two thousand
years ago. In India it is difficult to decide this, because Mahavira, who was born
twenty-five centuries ago, is the last and the greatest Jaina tirthankara, the
twenty-fourth. Before him twenty-three tirthankaras had passed; and that must have
taken at least ten thousand years if in twenty-five centuries there was only one tirthankara.
And there are relics of cities discovered at Mohanjodro and at Harrapur where Jaina
statues have been found.
Now, a Jaina statue can be immediately recognized -- the naked statue -- because Jainas
are the only people.... Romans have made naked statues but they are sensuous, sexual,
provocative. They are playboy magazines in marble. You can see that this statue is just a
sensuous, sexual statue: all Roman statues are. The Jaina tirthankara statue is nude but
not naked. Yes, it has no clothes, but it won't give you any idea, any vague idea of
sexuality, of sensuality. No, just the contrary.
The whole structure of the Jaina statue is non-sensuous, non-sexual. The eyes are
closed, the hands are hanging loose on either side. The body is standing. In the ears
birds have made small nests, because the man has been standing for six months in the same
position, he has not moved his head. And he is not going to scare the bird away saying,
"What are you doing? -- this is my ear that you are making a nest in." Creepers
have started moving up his body. It has a beauty of its own. Creepers, green creepers,
have reached up to his neck or up to his head. They have blossomed, their season has come.
Now, this statue is not the Roman type. It has no parallel in the whole world. This
kind of statue has been found at Mohanjodro, which by very strict and orthodox scientific
methods was found to have existed at least seven thousand years before Jesus Christ was
born. So from today, ten thousand years back is not claiming much.
The Western monastery is a copy of the ashrama that exists in the East now. It had been
brought to the West by Western travelers, Western philosophers. Jesus himself went to
Buddhist universities, Tibetan lamaseries, Ladakh monasteries; Pythagoras traveled deeply
into the East -- and these people brought all these ideas to the West. The Western
monastery is, in a way, nothing but a carbon copy of the Eastern ashrama. It has nothing
unique to contribute.
My commune is a totally different phenomenon.
It is neither an ashrama, modern or ancient, nor a monastery, Christian or Mohammedan.
My commune is, in the first place, non-ascetic.
It basically tries to destroy all psychological sicknesses in you -- in which
sado-masochist ideas are included. It teaches you to be healthy and not to feel guilty for
being healthy. It teaches you to be human, because my experience is that people who have
been trying to be divine have not become divine, but have fallen far lower than humans.
They were trying to go up beyond humanity -- yes, they have gone beyond humanity, but
below it.
In the monasteries, people are almost animals, because the more you torture yourself,
the more you start losing your intelligence; intelligence needs comfort. Intelligence is a
very delicate flower. Don't try to grow roses in the desert. Intelligence is a very
delicate flower. It grows in luxury. It needs a luxurious ground, fertile, creative, full
of juice; only then can it blossom. And without intelligence, what are you?
My effort is first to help your intelligence become a flame, and to help that flame to
consume all that is not your authentic self. You become a fire and you burn everything
that is rubbish, thrown by others onto you.
So first intelligence, and second meditation.
Meditation comes out of intelligence -- burning all crap from your being. Then you are
pure, alone, just the way existence wants you to be.
The commune is just a place where people who are interested in this journey, in this
odyssey inwards, live together -- helping everybody to be himself allowing everybody
enough space, not interfering in any way, not imposing in any way. If they can support
you, good: if support also becomes a hindrance then they will not even support you, they
will withdraw themselves. They respect your integrity, your individuality, your freedom.
The word commune I have chosen because it is a communion: a
communion of rebellious spirits.
It is not another society, it is not a monastery, an ashram. It is individuals
remaining individuals, still being together. Being alone and still interacting, responding
-- leaving the other also alone.
Aloneness, to me, is the greatest religious quality. So we are together but not in any
kind of bondage, very loose. No relationship is binding in my commune. No relationship is
really a relationship, it is only a relating, a process. As long as it goes, good, and
when paths divert, change their course, that too is perfectly good because that's how,
perhaps, your being is going to grow. One never knows.
We may walk together for a few feet, a few miles, and then depart in gratitude -- that
it was a joy to be together. Now let us celebrate separation. You helped me, I helped you.
Now let us help each other to move in the directions that our beings want us to take.
The commune is a totally new phenomenon.
It has nothing to do with anything that has preceded it. The old, ancient ashramas were
beautiful but they were part of the society. They propagated the same structure of the
society: the four-caste system. The untouchable was untouchable. The untouchable could not
enter the ancient Hindu ashram. Only the brahmin could be the seer. That is strange, that
only the brahmin could have eyes. That was a brahmin strategy to remain in power, and they
were powerful. But they were good people, although not revolutionaries... nice, but not
rebels.
The rebel is both. He is a sword and also a song. It depends on the situation. He can
become a song or he can become a sword.
This is a communion of rebels.
We are not supporting any society, any politics, any nation, any race, any religion. We
have left all that far behind. We have come alone, to be with those who have also come for
the same reason -- to be alone. So remember it, that aloneness is something sacred. You
should not trespass on anybody's aloneness, freedom, individuality.
Commune, love, be together, rejoice -- but remember always you are
alone.
You are born alone, you will die alone, you have to live alone.
And all those who are here, they are all individuals, alone. They are not following any
doctrine, any dogma -- they are simply following their own inner voice. Try to hear it and
follow it.
Yes, it is a very still small voice, but once heard, you cannot do anything else but
what it says for you to do.
Osho: From Personality to Individuality, Chapter 5